Over The
October 2007
You’ll
find Over The Rhine fans the whole world over, around familiar corners and
standing in the middle of crowds, with their deep eyes looking at you as you’ve
never been looked at before or since.
The band adopted
its name from the neighborhood in
The thing
about OTR is that they don’t just make songs so they can talk with rhythm. They
don’t write jingles in hopes that one will become a hit and make them millions.
They aren’t interested in throwing out a bunch of musical sound bites to clog
up the ears of the masses.
Linford
and Karin dig in deep. They put feelings to music. They get inside your being
and put a voice to it. Their songs gently coax you to identify who you are and
what you want, feel, and need. The rhythms reverberate alongside brain waves
and become infused inside the cells of your body. The songs open your thoughts
and your eyes. You feel drunk with pleasure, understanding, clarity, and hope.
Just by listening to a song? These are no ordinary songs.
I first
heard OTR in
Most
songs nowadays are separate from us. We listen to them and may enjoy them, sing
along, and even sing them later in our heads. But do they speak to us? Do they
clarify our lives and purpose and help us become better humans? Do they have
any meaning at all?
OTR songs
are not just listened to; they are breathed in and become woven into our
subliminal consciousness. We can’t see it or feel it happening. But we know
it’s there. It happens during that drunken feeling you get from the magical
blending of Karin’s otherworldly voice and Linford’s sultry rhythms.
You can
listen to OTR’s newly-released masterpiece, The
Trumpet Child, by clicking the record player at overtherhine.com. Two greats are Trouble and The Trumpet Child. OTR will play at the Majestic Theater in