Opening Doors
August 2009
Our brains work really hard to keep us
happy. We go along in our daily lives—talking, walking, eating, reading,
driving, operating computers, acting appropriately in a variety of settings—and
we don’t consciously think about any of it. As long as things run smoothly,
we’re happy. But when we try to open a door and it doesn’t open, or we bump our
heads as we get into a car, or a leak-proof container
empties itself inside our gym bag, or our finger gets stuck while changing the
vacuum cleaner bag—we tend to get cranky. We have to stop, understand what
happened, determine how to avoid it in the future, decide how we feel, and then
get on with our day. After any such mini-catastrophe, we generally blame an
object’s design, and rightly so.
Let’s look more closely at opening a
door. As we approach the door, the brain searches for clues as to how the door
operates and then directs our muscles to act in accordance. When obvious
physical clues are not present, the process fails. Doors, like any object, are
designed for both function and aesthetics. Doors must be functional without
exception, so aesthetics should be a lower priority than ease of use, but this
is often not the case, as we’ve all experienced.
We’ve all seen doors with a horizontal
bar spanning the door’s width to indicate “push” but not whether to push on the
left side or right side. A door with a knob or handle lets us know which side
of the door to operate, but not whether to push or pull.
Designers must strike a compromise
between aesthetics and ease of use for the typical user. A major difficulty is
that designers are not typical users. Designers have yet to design a car with a
functional place to set a purse when the passenger seat is occupied. With the
purse relegated to the floor in back, it’s useless at a drive-thru restaurant,
a drive-up bank, or even when a piece of gum is needed.
Psychologist Donald Norman has pioneered
the field of usability. He knows that good design makes us happy. In his
groundbreaking book, The Psychology of Everyday Things, Norman explores how the
usability of objects we encounter affects our lives. We’re happy and feel in
control when things work properly. Conversely, we feel like a failure when we
can’t answer a ringing phone because the phone’s multitude of innovative
features obscure its primary intended use.
Objects must be designed in accordance
with the mental and physical abilities of humans, with an appropriate
compromise between function and aesthetics. As we have all experienced, design
flaws abound, but Donald Norman leads the crusade for well-designed objects
that work every time and keep us happy.