A Christmas
Carol
January 2011
An ordinary
tombstone in
Adored by both
the public and critics, A Christmas Carol
was immediately adapted to the stage, and by February 1844, eight theater
productions of the story were running in
Dickens was
a strong proponent of humane treatment for the poor, noting that the condition was
thrust upon them by the growing industrialization of cities. In A Christmas Carol, Dickens punctuates
his strong beliefs at the turning point of Ebenezer’s journey, when Ignorance
and Want are personified as helpless children huddled under the skirts of the enormous
Ghost of Christmas Present. To keep his message alive, Dickens began publishing
Christmas stories each year with similar themes to A Christmas Carol, but he never felt that they were as strong.
Dickens stopped his regular Christmas publications after 1848 and instead began
giving spoken performances of a shortened version of A Christmas Carol. Dickens performed the readings 127 times up until
the year of his death. Actor Lionel Barrymore revived Dickens’ tradition by
giving annual Christmas radio show performances of the story, performed seventeen
times between 1934 and his death in November 1954.
Dickens
expressed the following words of hope for his story in its introduction. Today,
he would find that his modest work has fulfilled his dream to untold lengths. A Christmas Carol in prose being A Ghost
Story of Christmas: I have endeavored in this Ghostly little book to raise the
Ghost of an Idea which shall not put my readers out of humour with themselves,
with each other, with the season, or with me. May it haunt their houses
pleasantly, and no one wish to lay it.